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Questions Through February, 2006

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February 22, 2006

Dear Marie,

I was wondering if you could recommend something to help me with rhythm.  That is one area I could use help in. 
Thank you so much.
Rhythm-Challenged

 

Dear Rhythm-Challenged,

           Rhythm is an on-going issue for many musicians--myself included; don't feel that you're the only person who has to work on it. Rhythm is often more difficult for people who didn't MOVE to music while they were children. So . . . we work with what we have now. We just have more territory to cover than the people who grew up dancing or "got" the rhythm instinctively. 

          To improve your sense of rhythm, take every possible chance to tap, clap, walk, march, dance, or conduct, to pre-recorded music. Then get up and march and conduct to the music you're learning as you practice singing it. Make a conscious effort to FEEL the on-going background beat as well as the rhythm of the music. Pay attention to how the beat is subdivided and try to figure out the time signature without having the score in front of you. Even though rhythms are more prominent in contemporary music, sometimes the actual meter is more difficult to find due to off-beat accents. Classical music often has more straight-forward rhythms.

          There is now a new page in this website dedicated to helping rhythm-challenged would-be musicians. (Go to Help With Rhythm page.)

If you have more questions, please feel free to ask.

I'll pray for you.

Marie

 

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February 25, 2006

Dear Marie,

My Church choir is doing its first "CANTATA" this Easter! I would like to explain to them good information on the Cantata, other that it tells a story! Can you help me?

Thanks for the great idea of helping us!

Looking for Background Information

 

February 26, 2006

Dear Looking,

You have asked a broad question. In order to answer at all, I need to know a bit more information. First, what kind of information do you want your choir and your church to know? Do you want them to know the history of cantatas in general? Do you want a story of THIS cantata? Have you researched the origins of this cantata, these lyrics, this composer, this lyricist, the connection of this cantata to the Bible story? Can you describe/explain/demonstrate the musical styles and composition techniques that have been used?  You get the picture.

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(Continued from previous column.)

          All of these questions require different types of research. Some will be available from the cantata's publisher and/or composer, other information will have to come from your own research. i.e., If the publisher didn't provide it, you will need to sit down with a Bible, a Concordance, and your cantata score to find the Bible chapters and verses that connect the lyrics with the Bible story.

           This is a worthy goal for you, and knowing about the music can help your singers and audience connect with the music—and through the music, connect with God. I hope you find exactly the right combination of information to reach your goal.

I'll pray for you.

Marie

February 28, 2006

Dear Marie

The choir members are so excited about doing this cantata, I just want to give them some background of what the word means. I've been told it tells a story. Is there anything more you could add to augment their/my understanding.

Thanks for your time,

Looking for the History

 

Dear Looking,

The word "cantata" comes from the root cant—to sing. A "cantor" is a person who sings. Traditionally, cantatas are compositions for voice—often with instruments. Usually they are settings of religious text and intended to be sung in church. They are similar to operas and oratorios, but are not usually intended to be staged. The term covered several types of musical collections until the time of J. S. Bach. He developed the cantata form into a group of pieces on the same theme or story and often wrote his cantatas as expansions on a single chorale tune. Bach wrote more than 200 cantatas, but term has been describing similar works of music ever since. You have an interest in music history; I suggest that you take a college class or two and find out more.

 

Hope your performance is inspiring!

I'll pray for you.

Marie

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 Go to:
"How to Annoy & Alienate Your Choir" compiled by Judy Shultz, Marie Adams & Evelyn Pursley-Kopitzke
 "How to Alienate Your Pastor and Church" compiled by Judy Shultz, Eurydice Osterman, Marie Adams & Evelyn Pursley-Kopitzke.
"How to Kill a Choir" compiled by Judy Shultz, Marie Adams,
     & Evelyn Pursley-Kopitzke
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